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William Boyd ~ The Yankee Clipper (1927)

11/18/2015

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(This is a look-back review...I was thinking about it, so I thought I'd repost!)

It, ladies and gentleman,  is the birthday of one of my favourite actors;  the man behind the legendary Hopalong Cassidy,  William Boyd!  Well,  as most people already know the storied history of that great cowboy character,  I thought I'd talk about one of his early,  pre-Hoppy jobs.

It was a toss-up between two films, actually.  The first that occurred to me was the fan-tastic 1929 talkie High Voltage,  with a young and nubile (and not yet famous) Carole Lombard.  It was indeed a struggle!  High Voltage is one of my fave early talkies, a Pathe' production,  and Boyd really is against type in it...or against the type that would come a decade or so later.

In the end,  the 1927 Cecil B. DeMille-produced silent picture won the day.  Why?  Well,  because it's Bill Boyd in a silent movie!  It's one of those rare and wonderful moments,  when you see an actor that, over your lifetime, has become somewhat of a chum,  then you see him in a cool, and completely different context.  Pure magic.  Actually, that's a great way to describe Bill Boyd in general.  Magical.  That grin lights up a room (or a saloon, or a prairie),  and he seems like the sort of chap that one could depend on in a righteous scrap.

The Yankee Clipper Starts in England,  and Queen Victoria, still quite young (played by the lovely Julia Faye, a bit player who had a small role in my last birthday review, Gary Cooper's North West Mounted Police HERE),  gives the Lord Huntington a mandate:  beat the Americans to China, and secure the tea trade of the powerful Chinese merchant, Louqua (wonderfully played by James Wang).  Of course, his nibs takes on the challenge;  his ship,  the Lord of the Isles, can surely conquer any snail-like tub that the Americans can produce!

Apparently the US President at the time, Zachary Taylor, has other plans.  He enlists the aid of Boston shipbuilding legend Thomas Winslow for the job,  with his stalwart son Hal (played by our birthday boy William Boyd) as the skipper.  The Winslows have a secret weapon in the new-made ship, The Yankee Clipper!  The president shakes hands with the duo;  after all,  those Bostoners know a little something about the British and the tea trade, wot?

Both ships charge toward their Celestial (HERE) destinies,  with a little surprise in store;  Lord Huntington has brought his beautiful daughter, Lady Jocelyn Huntington (played by the aptly-named Elinor Fair) on the trip.  Her Ladyship is affianced to a British 'gentleman' living in China, a slimy toff, whose predatory sexual dalliance with the innocent Chinese girl, Wing Toy, shows us his true dastardly nature from the start.  The Lord of the Isles does indeed make it to China first,  but our Yankee Clipper was hot on it's proverbial tail.  As the American ship pulls into dock, the crews and passengers on both ships eye each other, hooting and hollering.

Our jaunty captain Hal sees the luminous Lady Huntington through the lens of his nautical telescope, and folks,  that's all she wrote!  The race is certainly on,  but from that moment it has little to do with ocean vessels!

I thought that The Yankee clipper was amazing.  It had the typical melodrama that one looks forward to in a silent,  but it also had an excellent sense of humour.  William Boyd was good as one would expect,  but honestly,  I thought he went over and above requirements here.  He was a very charismatic presence in every scene,  and it seems obvious to me that everyone must have been aware that they had a future star on their hands.  His character had depth far beyond the 'written' outline,  for sure;  Boyd interjected little bits of genius in every scene.  The way he smiled, stood, grimaced, shook hands...all worth watching for their own sake. 
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Hehehe...
I'd also like to point out that the race roles in the film, while possibly not passing the Malcolm X test,  were seriously sympathetic for the time;  the black cook was actually quite strong (his little Caucasian buddy was the clown here),  and the Chinese were (excepting Wing Toy) mostly played by (gasp!) actual Asians!  Imagine the most powerful character in a 1927 film being Chinese, and being played by a Chinese actor...that's pretty great.

To me, this was the perfect choice with which to celebrate William Boyd's birthday.

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Not to ignore Hoppy on this special occasion,  here's something special for Mr. Boyd's birthday!  A 1951 episode of the Hopalong Cassidy radio show!  Hoppy was Williams Boyd's bread and butter for the bulk of his adult life;  movies, radio, comics, pulps, TV, the whole nine!  Enjoy...it's a good'un!
hoppy_-_death_crosses_the_river.mp3
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This amazing feature is just one of several on the collection Under Full Sail: Silent Cinema on the High Seas.  This is worth every dime;  every print is crisp,  and the theme just can't be beat.

You can buy it HERE for a very good price!
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Happy Birthday, Cliff "Ukulele Ike" Edwards! (June 14, 1895)

6/14/2014

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Wowsa!  This has been a month of birthdays here on Phantom Empires!  Basil Rathbone,  William Boyd, Pol Plançon (HERE), Arthur Conan Doyle, Manly Wade Wellman (HERE & HERE)...so many incredible artists!  Well,  today is also the birthday of another great character,  in the form of the amazing actor/singer Cliff Edwards,  also known as Ukulele Ike!

Known to film fans primarily for his most famous character,  the melodious insect Jiminy Cricket,  Edwards was also known worldwide throughout the 1920's & 30's as a jazzy, Ukulele-strumming singer.  He recorded charming pop songs prolifically,  either as a solo performer or with his "jazz" group,  the Hot Combination.  His voice was so mellow and comfortable;  listening to him is like a favourite uncle telling stories by a warm campfire.

The movie studios apparently saw this charm,  and thus cast him in a slew of B-reel movies,  primarily westerns.  Edwards made a fantastic sidekick.  He spent lots of time at the side of Tim Holt in the singing buddy role,  but also to such cowboy stalwarts as Richard Dix,  Charles Starrett, and Russell Hayden.  Some titles include:  Pirates of the Prairie, Lawless Plainsmen,  Sagebrush Law, Thunder Over the Prairie, Red River Robin Hood, Overland to Deadwood, and many more such titles,  evocative of both the classic B-reel wild west,  and a bag of popcorn at a Saturday matinee!

Here's the man himself,  singing himself a tune for his birthday,  in colourful singing cowboy style...but with a western swing twist!
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Check out my musical Cliff Edwards birthday post on my music page, HERE
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Happy Birthday, Basil Rathbone!  (June 13, 1892) ~ The Mad Doctor (1941)

6/13/2014

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Well,  it's both Basil Rathbone's b-day AND Friday the 13th,  so I thought I'd pick a spooky-type picture for this special occasion x2!  There aren't too many unplumbed options for ol' Basil, wot?  I mean, Son of Frankenstein?  A great movie,  but completely talked to death. Sherlock Holmes?  Jeez,  I might as well talk about Casablanca, or Gone With the Wind. Otherwise,  our diction master was a support player,  and what fun is that on the man's day of birth?  So,  I dug about in the memory banks for the solution: the 1941 film,  The Mad Doctor!

In this very fun but minor
suspense chiller,  Rathbone plays the conniving-but-debonaire Dr. George Sebastian,  a man with an evil heart and dark secrets.  He has a peculiar habit, our doctor;  he marries very wealthy women,  and somehow they end up dead!  In the beginning of the film,  his last wife has died under mysterious circumstances,  and already he's on the prowl.  He sets his eyes on the beautiful-and-wealthy-but-depressed Linda Boothe (nicely played by the hauntingly lovely Ellen Drew, who was in a personal Dick Powell fave, Johnny O'clock).  Linda is in pretty bad shape;  there's a suicide attempt even, near the beginning of the story...just the ticket for our murderous male gold digger!  He unleashes his seductive and hypnotic charms on this poor woman,  and she's putty in his hands.

Fortunately our damsel has friends in her corner:  The dogged Dr. Downer (Ralph Morgan, support player in a billion amazing b-reelers), who suspects foul play in Dr. Sebastian's past love life, and Linda's boyfriend, Gil Sawyer (played by the somewhat William Powell-esque John Howard, Ronald Colman's successor in the killer Bulldog Drummond film series), who thinks our mad doc is "half-baked", and a "quack".  It's amazing to watch these two men hard at work, detective-like, foiling our suave Bluebeard's dastardly machinations!

The ending is very satisfying, and more brutal than one might expect...


The Mad Doctor is really very fun.  It's very much in the style of the Crime Doctor or Lone Wolf series,  and quite the thing with which to celebrate the man who has been so great in so many top-level films.  It's something that should certainly be in the "have watched" pile for any serious Rathbone devotee!

Feel free to check out my Old Time Radio Rathbone birthday post HERE,  as his voice was so perfect for that medium!

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From 'Son of Frankenstein, but apt for this picture!
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North West Mounted Police (1940) - Happy Birdthday, Gary Cooper!

5/7/2014

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Hot on the heels of my celebration of Tyrone Power's birthday this week, in which I wrote about Power's amazing turn in the red coat (albeit in the British army in India),  I want to wish Gary Cooper a happy birthday as well!  It's fun to have the opportunity to celebrate two incredible actors, and each in connection to the scarlet.

In the fantastic Northwestern North West Mounted Police,  Gary Cooper plays Texas Ranger Dusty Rivers, on assignment in Canada,  on the trail of the murderer Jacques Corbeau (played by the blunt-faced character actor George Bancroft).  As it turns out,  Corbeau is one of a trio of Métis (also called half-breeds in the film) revolutionaries,  intent on rebelling against the British Empire and starting an independent government.   Historically, though the Métis are the descendants of European settlers and aboriginal Canadians, they have no recognised status (unlike relatively pure-blooded natives);  in fact,  by some definitions, currently half of Canada are Métis, as at least 50% are of mixed blood.  At the time in which the film is set it was apparently a clearer distinction, as evidenced by the real-life North-West Rebellion upon which this film was based. 

Marshall Rivers reports the the fort where the Canadian Mounties are stationed,  just in time for Corbeau to join with the Métis rebel Louis Riel (now a schoolteacher) returning some years after having failed in his first attempt at insurrection (the Red River Uprising, also known as the First Riel Rebellion).  There Rivers meets the super-Mountie Sergeant Jim Brett, played by the very cool Preston Foster The situation becomes quite fun when there are sparks between Dusty and Sergeant Brett's love interest, the regional nurse April Logan (played by the majestic Madeleine Carroll).  The natural alpha male tension is already highly charged,  but here is where the fun really begins!  Between this love triangle and the upcoming insurrection, there is plenty of plot to be worked,  but it never becomes too much.  I was impressed by the level of brutality shown here,  as well as by the general humanity of the characters.

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Directed by Cecil B. DeMille,  this was his first colour feature, as well as Cooper's.  The Technicolor is gorgeous (as it usually was in the movies of the time),  and it seems to have been created to make the Canadian Mountie look his best.  The script was fun and pretty tight,  though there were a few lagging bits,  mostly related to the romantic scenes.  What I enjoyed most was the fun banter between Texas Ranger Rivers and the Mounties.  Some fun Uncle Sam vs "The Queen" comments zinging back and forth.  The actors seemed like they were having quite a bit of fun! 

Although this is technically Cooper's vehicle,  I think the guy that shines best is Preston Foster.  He's so amazingly masculine and driven that his uncompromisingly honourable and courageous Sgt. Brett never strikes a wrong note.  In fact,  it took a guy with Cooper's presence for Foster not to run away with the whole thing! 

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As it stands,  they made a good pair,  each trying to out-hero the other.  That camaraderie is very exciting to watch.  It's a good choice for a birthday party!  This is one of the best Mountie-related movies that I've yet seen.  The Mountie mythos is given it's full due,  right down to 'always getting their man'.

Of course,  like the "regular" western,  there are sociopolitical issues inherent to the story that might, for some, make it difficult to watch.  Lots of people of many cultural backgrounds died to create modern America and,  it seems,  Canada,  and those stories are filled with conflict and moral ambiguities.  The British Empire spawned a lot of those stories and issues, as all empires tend to do.  I,  for one,  don't let myself get involved with those issues;  I take the story as it is, and I roll with it. North West Mounted Police is quite an exciting story to roll with!


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As a fun side note,  the fiddling tradition of the Métis is becoming more well known amongst lovers of folk music.  There is a wonderful documentary on the subject, called Medicine Fiddle,  and it can be viewed by clicking on the image to the right.  It's an interesting sound, very similar to other Canadian fiddle styles, but with its own flavour.  Unfortunately the folkies in America have taken it on, so it will be ruined soon...experience it while you can.

Learn about the first Riel Rebellion HERE
Learn about the second Riel Rebellion HERE


Here is my (ever-growing) list of Mountie movies and serials!  They span from 1914 to modern times, and cover every style and format;  silent, talkie, b&w, colour, film, videotape,  & DVD!  Enjoy!
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Tyrone Power - KING OF THE KHYBER RIFLES (1953)

5/5/2014

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The men who govern India...more power to them and her! ...are few.  Those who stand in their way and pretend to help them with a flood of  words are a host. And from the host goes up an endless cry that India is the home of thugs, and of three hundred million hungry ones.  The men who know...and Athelstan King might claim to know a little...answer that she is the original home of chivalry and the modern mistress of as many decent, gallant, native gentlemen as ever graced a page of  history.

Talbot Mundy ~ King of the Khyber Rifles

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Those are the stiff-upper-lip words that begin the brilliant novel King of the Khyber Rifles,  written in 1916 by the legendary London-born adventure writer Talbot Mundy.  Mundy was famous for his tales of the British Raj (Raj means "reign" in the Hindi language), during their occupation of the Indian subcontinent and Afghanistan during the rule of Queen Victoria.  Inspired by real-life titans, such as the polymath and polyglot, Captain Sir Richard Francis Burton, his books are the proto-typical ripping yarns;  his stalwart adventurers faced the dangers inherent in trying to control that wild and culturally diverse region.  Like Rudyard Kipling,  Sax Rohmer and H. Rider Haggard,  his stories are from the British perpsective,  but like Haggard,  Mundy leaned slightly more toward the east.

The protagonist of the novel is Captain Athelstan King,  an agent of her majesty in what was at that time northern India (now Afghanistan and Pakistan) during the first world war. As in reality, the war was in mid-swing during the novel,  and the Germans and Turks were determined to foster unrest in the tribal areas to further burden their British opponents.    As with such writers as John Buchan, tales of the Empire's military struggles across the globe were very popular among British youth.  That seems to be a traditional subject at the time,  as both the Boer and Crimean wars generated their own exciting literary output;  this new war, being called "the war to end all wars" did so on a grand scale, and would continue to inspire both prose and film for decades to come. 

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Without a doubt Mundy's most famous and popular book,  it was first filmed in 1929 as The Black Watch,  starring Victor McLaglen and Myrna Loy (and, apparently, it had uncredited early parts for John Wayne and Randolph Scott).  It was directed by John Ford,  and though a relatively early work (he already had dozens of movies under his belt by this time),  it has all of the taut drama and action that make his stuff worth seeking out.  Initially released as a silent,  it was a talkie,  and thankfully so;  there are so many wonderful scenes that really benefit from the many regional accents in the story.  McLaglen really shines in this one, and the bravura performance that he would later bring to Gunga Din shows it's roots very clearly here.   The Talbot Mundy animus rings throughout.

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Tyrone Power is the lead in the later (and greater) version of the story, appropriately titled King of the Khyber Rifles.  Though Power was on the final stretch of his career when this was released in 1953,  his vigour and intensity had diminished not even a tiny bit.  His adventure movies of this period are some of his most interesting and nuanced.  Here,  as the serious-minded (one could even say stern), Athelstan King,  Power burns like a wildfire.

Now, for lovers of the book,  it would be a mistake to come to the film thinking that they're the same animal.  Though they share some of the same cosmetic features,  the film has been altered to a pretty large degree.  It has been transformed into the film version,  which is fine,  and I believe the changes make it more suitable for the simpler needs of the cinematic experience,  where visuals and greatly delivered dialogue oftentimes do the work of a novel's detail and complexity of plot.  Apropos of my earlier comment, the film is a bit more Rudyard Kipling to the book's H. Rider Haggard,  which,  in this case,  is a good thing.

Power's King is a half-caste;  his father was English,  and his mother was an Afghan Muslim.  Thus, he speaks the Pashto language of the Afghan tribal people,  and he is friendly to them...so long as they are subordinate to British rule.  King, after all, is the Queen's man.

The villain of the story (though ENTIRELY different from the novel),  is the "fanatical"  tribal bandit Kurram Khan,  who,  along with the Islamic Mullahs in the mountain areas, is fomenting rebellion in the people of the hills...by any brutal means necessary.  He is portrayed here by the brilliant Guy Rolfe,  who, it seems,  played more villains than anything else, by far!  In fact,  in the same year as King of the Khyber Rifles,  he played the baddie in another orientalist fantasy,  The Veils of Baghdad (as the evil Kasseim),  as well as Prince John in Ivanhoe, the year before!  It goes without saying that his villain's soliloquies are maniacally well-practiced and insidious.  He's very much the Osama Bin Laden of the piece,  and much like that real Mujahid,  his martial excesses are telegraphed to the audience in the form of a goggle-eyed,  power-mad (hehehe),  inhuman monster...with no normal human reason for opposing the Empire.

I was very impressed by the detail of the film,  and by the nods to local colour and detail.  The Pashto language, like Dari,  the other most common language in Afghanistan,  is  somewhat similar to the Farsi language spoken in Iran.  I understand a good deal of Farsi, as well as urdu and Arabic,  and it seems to me that the dialogue of the tribal characters in the film was appropriate,  if not entirely correct.  I also noticed a few regional colloquialisms used, which were gratifying;  King says of a defector from Kurram Khan's ranks as wanting to "eat British salt",  meaning that he wished to earn his sustenance in the service of the Empire...a folk expression heard as far away as the Punjab.

I was also impressed by the philosophical challenges to imperialism throughout the movie.  Athelstan King, as the son of a Muslim woman,  is treated quite poorly by the political infrastructure and by it's agents.  He's denied invitations to officers' parties, and even loses a roommate when a fellow officer learns of his racial (and possibly spiritual) mix.   The positive portrayals of Muslims in this film are a pleasant surprise, in spite of some stereotyping,  as well as the complexities of the local political perspective.  Not to drag contemporary politics into a simple movie review,  but the moral problems raised by this simple adventure story are very timely to the issues that the United states and Britain still face in that part of the world.  It shows how the presence of a foreign element, determined to change and control an area, can create increasingly more hostile insurrections and challenges to that outsider influence.

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Still,  King of the Khyber Rifles is very much,  in the end,  a tale of the Empire; it stands firmly in the tradition of films like the afore-mentioned Gunga Din, Oliver Reed's The Brigand of Kandahar (1965), Rock Hudson's Bengal Brigade (1954), Gary Cooper's Lives of a Bengal Lancer (1935), Raymond Massey in The Drum (1938), and of course, Errol Flynn's 1950 classic,  Kim.   Like the western film, which shares many of the same sociopolitical issues,  we manage to set aside our problems with the reality of the thing,  and get into some great action well told!

The director of this amazing picture is the somewhat ironically-named Henry King.  King was an amazing critter in his own right, having over a hundred acting roles under his belt from the early days of film, as well as a long and prolific career as a director.  Besides King of the Khyber Rifles,  King directed Tyrone Power in such amazing movies as The Untamed (1955),  Prince of Foxes (1949),  The Black Swan (1942),  and  The Sun Also Rises (1957),  as well as such great actors as Errol Flynn, Eva Gardner, Spencer Tracy,  Gordon MacRae, Cameron Mitchell, and (in my opinion) most effectively with Gregory Peck, who did many of his best films with King.

Honestly,  with the possible exception of Errol Flynn,  I can't think of a more well-rounded actor for action pictures of his era than Power;  his gravitas, masculinity and charm are possessing,  and that leadership vibe, so often lost to today's actors, are his in spades.  His characters are people that one would follow "once more, unto the breach",  and his King of the Khyber Rifles is no less so.  It's a Powerhouse film that you shouldn't live without!


If you would like to read the fantastic novel before (or after) you see the film, here is a public domain eBook for your Kindle!
talbot_mundy_-_king_of_the_khyber_rifles.prc
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Also, for them that are interested both in the regions of India and Pakistan as well as in detective fiction,  I have an article about the various home-grown sleuths from various South Asian countries.  You can read it HERE.

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This is my entry in celebration of Tyrone Power's 100th birthday, with the POWER-MAD Blogathon,  hosted by They Don't Make 'em Like They Used To,  and Lady Eve's Reel Life!  Click on the image below to see other blogathon writers waxing poetic about Tyrone Power!

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